Tag Archives: The Cursed King

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ROW80 Round 4 – Goals!

October 1st, 2012 (that’s tomorrow!) is the official start date for Round 4 of A Round of Words in 80 Days (aka ROW80). I have decided to join this writing challenge for the third time. Created by Kait Nolan, ROW80 is “the writing challenge that knows you have a life”, or “the challenge that champions the marriage of writing and real life.” Unlike NaNoWriMo which runs for only a month, each ROW80 round runs for 80 days and the participating writers have to set themselves writing goals for that time. Each Wednesday and Sunday, we check in and let the others know how we are doing. The idea is to form writing habits that writers will hopefully continue once the challenge is over.

As you may know if you follow this blog, my daily life is pretty crazy. I have a day job that keeps me extremely busy, I travel a lot and I read tons of books. Fitting some writing time in my schedule is a challenge, but I’m still very intent on getting published one day.

So here are my goals for this round (and yes, I know they haven’t changed much since the last round, but if at first you don’t succeed…):

Write or edit every day

Editing – Finish my current round of editing for The Last Queen, get my manuscript critiqued and beat-read, then edit some more.

Writing – Write a short story, and continue writing the first draft of The Cursed King

Round Four starts on Monday, October 1st and will end on Thursday, December 20th.

If you would like to join in this writing challenge and become a part of the ROW80 community, here are the rules:

  1. Post a goals post in which you lay out your goals for this round.
  2. Post a check-in post every Wednesday and Sunday, in which you share your progress with the other ROW80 participants.
  3. Comment on other participants’ check-in posts.

Here is the Linky for the other participants’ posts. What are your ROW80 goals for this round?

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ROW80 Check-In 5: Susan Dennard’s Advice on Writing a Saleable Book

Welcome gentle reader,

today again I thought I would share with you some writing advice from a published author.

Susan Dennard is a YA author repped by Sara Kendall of NCLit. Her debut novel, SOMETHING STRANGE AND DEADLY, is available now from Harper Teen. Susan has an AWESOME blog where you can find invaluable advice on the craft of writing, on the art of storytelling and revising, on the querying process, on the value of critique partners, on grammar and style and on genres. She regularly writes for the Publishing Crawl blog and you can also find her on Twitter, Goodreads and Facebook.

I really recommend you check out her blog and if you need convincing, I have posted below one of her blog posts entitled Writing a Saleable Book. It was first posted by Susan on the Let The Words Flow website on August 10th 2011. You can read the initial post here.

“Recently, someone asked me:

What is required to make a book saleable?

That is a rather large-in-scope question, and as such, I’m afraid my answer will be kinda vague. All the same, I thought it was worth taking the time to answer for everyone.

My super broad response is the:

The most important thing in writing a saleable book is writing a good book.

I am 100% convinced that if you have a well-written, compelling story, your novel will eventually find an agent/editor. Period.

That said, there are a few critical things that define a “good book”. Again, these answers are vague, and I’d be more than happy to get specific for anyone with questions (ask in the comments, please!).

Parts of a Good Book

1. First and foremost, the story absolutely most flow. Stilted dialogue, poor pacing, or unreadable grammar/syntax will kill a manuscript. A reader can put up with slow scenes if it all flows beautifully, and a reader can put up with a less-than-compelling plot if it’s smooth.

The way to ensure your novel flows is to revise-revise-revise. Learning to master the written word is absolutely critical. Few people write stunning first drafts, but give them a red pen, and they can line-edit their words into perfect prose.

2. Secondly, a book needs a compelling plot with tension on every page. The story builds, the tension builds, and everything ends in an explosive climax (and this applies to any genre—by explosive I simply mean all aspects of the story finally come together).

This is something you can learn by reading about writing, taking workshops, or simply reading heavily in the genre you write. There are structure to stories (three-act is the most common), and your job is to practice until these are second nature when you write/revise.

Again, my first drafts are rarely good examples of compelling plot, but I can revise them until they shine and all the subplots weave into the main plot.

3. Third, a book needs a cast of characters that readers care about. The best way to achieve this is to ensure the MC has a desperate need—secondary characters too. This is also something you have to learn by doing/practicing.

4. Fourth, the book must have high stakes. “High stakes” simply means we are invested in whether or not the MC achieves his/her goal. What will she lose if she fails to reach her goal? And why does that matter? A common reason a book fails to compel readers is low stakes—if we don’t care about the MC’s failure, we don’t care about reading the book.

Finding Problems

My biggest suggestion in terms of how to address these 4 components is to start critiquing and getting your work critiqued. Either find a critique partner, join a critique group, or stay active in a critiquing community. This is no doubt something everyone here already knows, but it’s so important (in my opinion) that I just have to emphasize it!

When you see others make mistakes, you learn to spot them in your own writing. Additionally, we, the writers, are often too close to our novels to see them “as a whole”. CPs and betas have the needed distance to spot problems

When I got an agent, Something Strange and Deadly had been through 4 crit partners and 2 betas. Did I always listen to my CPs’/betas’ comments? No—you must decide and filter feedback—but it was thanks to my CPs/betas that I caught some of my biggest mistakes (character inconsistencies, flat climax, plot holes, etc.).”

I hope this post by Susan helped!

Now for my ROW80 goals:

After 10 days off (I was travelling) I have been somewhat back on track for the past three days.

1-          Write everyday: 3/7 days.

2-          Self-edit The Last Queen: done.

3-          Continue writing the first draft of The Cursed King: done.

Here is the Linky for the other check-in posts. How are you other ROW80 writers doing?

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Valar Morghulis : On killing your characters

Hello gentle reader,

for this second ROW80 check-in, I thought I would tackle the issue of killing characters in novels. Let’s say you’ve created a number of interesting and believable characters in your WIP. Is killing off one or all of them going to help or harm your novel?

Over the past few months I have had to consider this question for two reasons:

–          one of the main characters in my epic fantasy novel The Last Queen dies at the end of the book and some of my beta readers have protested against such a death.

–          I have come across several serial stories where killing off characters was an over-used writing device and it made me wonder when killing your characters actually damages your story rather than makes it go forward.

I am not talking here about the horror genre, where killing off all the characters one by one is an expected writing device. I am talking about the other genres, especially Fantasy and Historical Fiction.

The first example of a story where no one is safe is A Song of Ice and Fire by G.R.R. Martin. One of the catch phrase used in this series of books is actually “Valar Morghulis”, which can be translated as “all men must die”. In the books (as well as in the TV show Game of Thrones that is aired on HBO since 2011), a great number of the major characters die, often brutally and unexpectedly.

The second example I have come across recently is the Starz TV show Spartacus, created by Steven S. DeKnight and Robert Tapert. In this historical drama, the writers’ motto is “Kill Them All”, which translates into the death of almost every single character, save for Spartacus himself.

So I get why killing off characters can be a useful writing device. When the reader has become invested in sympathetic characters, it is always a great emotional shock to see those beloved characters die, especially if those deaths are paired with acts of bravery and/or selflessness. For the writer, the death of a character can also be a great way to move the plot along. For example, at the beginning of the second season of Supernatural (a CW TV show), the death of the heroes’ father was a great way to get the story forward. In the Harry Potter series, the deaths of Sirius Black (in Harry Potter and the Order of the Phoenix) and Albus Dumbledore (in Harry Potter and the Half-Blood Prince) were impressive plot devices that made the young characters grow up and move forward despite their grief.

What I am questioning here, however, is the over-use of the device. In a way, G.R.R. Martin and the writers of Spartacus have painted themselves into a corner, because their readers/viewers now know that they shouldn’t invest too much in characters that are going to die anyway. Also the element of surprise is gone: when you get to Book 5 of A Song of Ice and Fire, you basically expect everyone to die. In this case, the reader/viewer feels cheated because instead of being presented with a great plot and believable tragic events, he is faced with yet another character’s death that doesn’t stir any emotion in him and harms the plot instead of moving it forward.

So what do you think? Do you read or write stories in which everybody dies?

Before wrapping up this post, a few words about my ROW80 goals:

1-      Write everyday: 5/7 days. This week I wrote every day except for Thursday and Friday when my day job took over my life.

2-      Self-edit The Last Queen: not exactly done. I have actually added a few scenes to the novel instead of editing it down. Argh.

3-      Continue writing the first draft of The Cursed King: done, but only a few hundred words.

Here is the Linky for the other ROW80 participants. How have you been doing?

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A Round of Words in 80 Days – Round 3 – Check-in #1

Hello gentle reader,

My blog is four months old today! And I am very close to have 100 followers, how exciting is that?! Thanks to everyone who has supported me and this blog in the past few months. You’ve made this blogging endeavour worth it…

So it is now July and I have decided to join the awesome writing challenge that is A Round of Words in 80 Days (aka ROW80) for the second time. Created by Kait Nolan, it is “the writing challenge that knows you have a life”, or “the challenge that champions the marriage of writing and real life.” Unlike NaNoWriMo which runs for only a month, each ROW80 round runs for 80 days and the participating writers have to set themselves writing goals for that time. Each Wednesday and Sunday, we check in and let the others know how we are doing. The idea is to form writing habits that writers will hopefully continue once the challenge is over.

Thus after my JuNoWriMo debacle (during which I have learned that one cannot spend an average of 9.1 hours per day at work AND write a 50.000 words novel), I am back to doing a writing challenge that will actually fit into my crazy daily schedule.

So here are my goals for this round:

1-      Write everyday

2-      Self-edit The Last Queen

This was one of my goals for the last round and I did complete it, however since then I have heard Back from a few beta readers/agents and I have some new editing to do.

3-      Continue writing the first draft of The Cursed King

This is the second book in my DARKLANDS epic fantasy trilogy (more info here) and I really want to finish a first draft during this round.

Round Three starts on Monday, July 2nd and will end on Thursday, September 20th.

If you would like to join in this writing challenge and become a part of the ROW80 community, here are the rules:

  1. Post a goals post in which you lay out your goals for this round.
  2. Post a check-in post every Wednesday and Sunday, in which you share your progress with the other ROW80 participants.
  3. Comment on other participants’ check-in posts.

Here is the Linky for the other participants’ posts. What are your ROW80 goals for this round?