ROW80 Check-In 4 : Jay Kristoff’s Query tips

Hello gentle reader,

And it is time for another ROW80 check-in! My goals for this fourth round are as follows:

Write or edit every day DONE!

Editing – Finish my current round of editing for The Last Queen, get my manuscript critiqued and beat-read, then edit some more.

DONE: I heard back from my CPs and beta readers at the beginning of the week and I have been editing all week.

Writing – Write a short story, and continue writing the first draft of The Cursed King

I didn’t do any writing per se this week since I was focused on editing The Last Queen.

So this was again a good writing week for me and I’m still happy with my goals. However I was so focused on my editing that I neglected my inbox and blog comments. I apologise if you’re waiting to hear back from me, I’ll get to this today. I didn’t have the time for any reading either. The only thing I did manage to do this week beside editing was keeping my blog alive with a Halloween book giveaway (you can enter here to win THE GRAVEYARD BOOK by Neil Gaiman if you wish). Also my blog received the Liebster Award!

Now, on to an inspiring story to keep us going this coming week. Today I’m sharing SF/F author Jay Kristoff’s 13 Steps to Getting an Agent. Jay’s first trilogy, THE LOTUS WAR, was purchased in a three-way auction by US publishing houses in 2011. The first installment, STORMDANCER, is out now. It is “a dystopian Japanese-inspired Steampunk Fantasy”. I have found the following tips on the Adventures in YA & Children’s Publishing blog.

“The agent search. You pick up your manuscript, nurtured from a tiny seed, and send it out into the world. It’s perfect. You love it. Surely, everyone else will too.

And then you watch agents curbstomp it, or worse, ignore it, months on end, until you look at this thing you once loved and question whether it has any redeeming features at all.

That pretty much sums up what it was like for me. Brief periods of giddy excitement. Disappointment. Intense self-doubt. Feigned apathy. Resentment. Months on end. Long is the way, and hard, that out of hell leads up to representation. And nothing anybody says makes it easier. You can have your betas say your MS is the next Harry Potter, you can repeat the absolute, perfect truth “It only takes one yes” until your voice fails, but ultimately, you’re still getting rejected. And rejection is a fun as funerals.

The thing that made it easier for me was mechanizing the process. Routine and ritual. I don’t claim to be any kind of expert. But I share my thirteen steps here, in the hope it might help somebody else out on that long hard road.

Step 1 – Write a book. Make it the best you can possibly make it. This is kinda the easy part, and I’m not kidding when I say that. By no means is it easy. But it’s easier than what comes after.

Step 2 – Finish the book. Really finish it. Don’t just finish your third edit and say “done!”. Scour the pages until they bleed. No truer words were ever spoken to me than this – “Your first chapter better be stonkingly awesome. Because that’s all most agents are ever gonna read.”

Step 3 – Stop finishing the book. You’re just ruining it now. There comes a time when you need to say “Enough, this thing is ready to go out”. Some people spend years polishing, and never get around to actually querying. That’s fear. Fear is the mindkiller. Say it with me and Muad’dib and send that puppy out to slaughter.

Step 4 – Do your homework – Go to Querytracker. Go to Agentquery. Subscribe to Publisher’s Marketplace. Visit agent websites, read interviews. Learn everything you can about them. Check outPreditors and Editors. Pay no money to an agent upfront, EVER. Do not let your desire to get published blind you to the realities. Do not let your hard work go to waste at the hands of a hustler. Do not be a sucker.

Do. Your. Homework.

Note – there’s a fine line between research and stalking. If you find yourself rifling through an agent’s trash or standing outside their apartment in the rain, you’re doing it wrong.

Step 5 – Prioritize your list. Who’s your dream agent? Do you put them top of list or midlist? Do you acknowledge your query is going to suck at first (because it will), or do you think it’s as awesome as it’s ever going to be (it isn’t) and blow your shots at your dream agents by using them as guinea pigs?

Step 6 – Forge a prescription for some quality painkillers, then write your query letter. There are entire websites devoted to this (writing the query, not forging a prescription). I won’t elaborate on it, but there are faaaaaaaabulous resources online, darling, and you should take advantage.

You can find my query on my blog if you’re interested. The version you’ll be reading was my third iteration. The first one blew more goat than wow I don’t even want to finish that thought…

Step 7 – Read the submission guidelines. This can’t be stressed enough. The brownie points I’m racking up by mentioning this fact will be enough to get me repped in my next seventeen lives.

Every agent is different. Some like you to send your query solo (which is why your letter needs to sing like Amanda Palmer). Some like a synopsis. Some like a sample. Some like watching episodes of House wearing only an old “Spice Girls” T-shirt and bunny slippers, but you don’t know that because you’re not standing outside her apartment in the rain, are you?

Are you?

Step 8 – Send it. Cross your fingers. Pray to whatever flavor of Flying Spaghetti Monster you prefer. Sacrifice a cat to the blood god. Seriously, cats are vermin, the less we have of them, the better.

I had around 15 queries in the air at any given moment. As soon as a rejection came in, I’d send out another. Some folks will tell you this is too many queries to run at the one time. Some will say it’s not enough. There are no absolutes here. You are stepping beyond the rim.

Step 9 – Wait.

Then wait some more.

You can choose to spend your waiting time however you wish. Writing your next book is a good way to go. Whatever you do, it had best be something you enjoy, because you’re going to doing a lot of it.

STORMDANCER is a rulebreaker –it really only took three months for me to land an agent on it, which is nothing. To put it in perspective, I waited three months for replies on some queries for my first ms. I spent five months waiting to hear back on a full (which incidentally, was a rejection).

So writing your next book while you wait? Probably a good idea.

Step 10 – Wait.

I realize I said this already, but it’s worth mentioning twice.

Step 11 – Learn from your rejections. My wife used to say to me “Stephanie Meyer got rejected nine times before Twilight got bought. J.K Rowling got canned a dozen times too”. I will say this now – those ladies had it easy. I took twenty two kicks to the baby maker on STORMDANCER. I took seventy on my previous MS. I had it easy. I know writers who got rejected over three hundred times before they got repped. Three. Hundred.

Most of your rejections will be forms. An automated, boiler-plate “thanks but no thanks”. If you’re lucky enough to receive feedback from an agent with your rejection, treat this like a nugget of gold. It’s a true rarity, and that agent is taking time out of an unimaginably busy schedule to offer it. Say “thank you” and be on your way.

When you get rejected, don’t ask why. You’ll be sorely tempted to. But sadly, it’s not the agent’s job to tell you what’s wrong with your ms. It’s your job to be telepathic. Yay!

Step 12 – Revise.

My query letter got better as I went along (hence you should consider the order in which you query your “dream picks” very seriously). If you’re getting lots of rejections, something is wrong. Of course, trying to fix it when you’re getting nothing but boiler-plate is difficult unless you have mutant powers. It’s maddening, but this is the status-quo.

Step 13 – Believe

I’ll depart from my wise-cracking, tall dark and scary routine long enough to give a little group hug now. Everyone needs a hug once in a while, especially querying writers. Here it is:

The only belief that matters in this equation is your own. It’s nice to have the support of betas or trusted friends, but it’s not necessary (the only person who had any idea that I was writing a book until I got repped was my wife). The only person who needs to believe you can do this is you. Everything else is window dressing. If you’re meant to be doing this, you can, and you will.

Believe in yourself. Keep the faith. At the end of the day, it’s all any of us have.”

How are you other ROWers doing? Here is the Linky to support each other!

GUTGAA Pitch Polish

As previously mentioned on this blog, I am taking part in the Gearing Up To Get An Agent blogfest (GUTGAA) hosted by the amazing Deana Barnhart. This week is all about Pitch Polish and you can find my query and the first 150 words of my WIP The Last Queen here. Now, if you’ve read my query or part of my WIP before, know that my manuscript has been undergoing major revisions lately. I have also worked on my query, based on the comments I received a WriteOnCon. So I would be very grateful if you could have a look at my new pitch and give me some feedback on it. I’ll return the favour if you give me a link to your query in the comment section of this post!

And since I hate asking without giving, remember that you can still enter my 100 followers giveaway here and win books!

WriteOnCon 2012 recap

Hello gentle reader,

you may have noticed that I have been very quiet on this blog since Monday: the reason for this is that I was attending an online writing conference called WriteOnCon.

According to its website, WriteOnCon “is a totally free, interactive online Writer’s Conference held annually during the summer. The first Conference, held August 10-12, 2010, had over 11,000 attendees. (…) WriteOnCon is not exclusive to kidlit writers. In order to stay organized, the curriculum is focused on Picture Book, Middle Grade, and Young Adult writers. However, much of the information provided applies to all writers, and many of the publishing professionals who participate cross over.”

This was my first year attending the conference and I have found it to be incredibly useful. The 2012 conference offered live professional panels, vlogs, blog posts, forum events, competitions, critiques and book prizes.

In case you missed it, it is not too late to access some of the most interesting content. I strongly recommend you check out:

– the Live Panel of Professionals (Tuesday) and Live Panel of Professionals (Wednesday): everything you need to know about the publishing world.

– the writing and revision tips: Tips for Starting a New Project, Hooks and Killer First Lines, What is Voice, and How do I Get it?, The Importance of Craft, Plotting with 3×5 cards,  Building Characters into Real People,  Elements of Writing, The Revision Checklist and “Back to Basic” Writing Tips.

– the tips on the querying process: Knowing When Your MS is Ready to Query and The Inside Scoop: Get Your Query Noticed.

– the discussions on genres: Differences between YA and MG, Middle Grade Rules, Picture Book Query Critiques.

– there are also many tips on social media: How to Get Started With Social Media: DON’T Do All The Things! and Blogging Basics

What I liked about the conference was that there were posts for beginners (like Reading like a Book Blogger which discussed the book bloggers’ pet peeves) and other posts for more experienced writers (like Choosing the Right Critique Partners).

My favourite post was World-building in Science Fiction and Fantasy by author Mindee Arnett, mostly because I write Epic Fantasy.

The last aspect of the conference that I loved was getting feedback on my query and some of my writing in the forum. My query is still up if you want to comment on it!

Did you take part in WriteOnCon? Did you find it useful? What did you enjoy most about it? Do comment and share your experience! I’d love to hear your thoughts…