Jazz Age January – 4

jaj-bannerHello gentle reader,

Jazz Age January is a reading challenge hosted by Leah at Books Speak Volumes. The idea is to read books related to the Roaring Twenties during the month of January. If you want to join in the fun, read about it here.

This week, I’m reviewing VIXEN by Jillian Larkin.

Vixen-JillianLarkin

Title: Vixen (The Flappers #1)

Author: Jillian Larkin

Genre: YA Historical

Publication: 14th December 2010 by Delacorte Books for Young Readers

Blurb (from Goodreads):

Jazz . . . Booze . . . Boys . . . It’s a dangerous combination.

Every girl wants what she can’t have. Seventeen-year-old Gloria Carmody wants the flapper lifestyle and the bobbed hair, cigarettes, and music-filled nights that go with it. Now that she’s engaged to Sebastian Grey, scion of one of Chicago’s most powerful families, Gloria’s party days are over before they’ve even begun… or are they?

Clara Knowles, Gloria’s goody-two-shoes cousin, has arrived to make sure the high-society wedding comes off without a hitch but Clara isn’t as lily-white as she appears. Seems she has some dirty little secrets of her own that she’ll do anything to keep hidden…

Lorraine Dyer, Gloria’s social-climbing best friend, is tired of living in Gloria’s shadow. When Lorraine’s envy spills over into desperate spite, no one is safe. And someone’s going to be very sorry…

From debut author Jillian Larkin, VIXEN is the first novel in the sexy, dangerous, and ridiculously romantic new series set in the Roaring Twenties… when anything goes.

What I thought:

I started reading this book in May 2012 but never finished it at the time. I thought Jazz Age January would be a good time to finally read it. Then I remembered why I had put it down.

This book isn’t a bad book. It’s well written and entertaining. But. The plot is SO SIMILAR to the Bright Young Things trilogy by Anna Godbersen (review here) that it’s very confusing. I couldn’t tell you if I liked this book or not, because all I kept thinking while I was reading it was that it felt I had read it before.

But if you haven’t read Bright Young Things, I guess you should give Vixen a try.

What have you been reading this week? Make sure to leave me a comment below!

Waiting On Wednesday – 37

Hello gentle reader,

this week I’m waiting on Lair of Dreams (The Diviners #2) by Libba Bray (expected publication: 5th August 2014 by Little, Brown Books for Young Readers). It’s a YA Historical Fantasy set in 1920s New York City and the second book in a planned trilogy. The Diviners was one of my favourite books of 2013 and I can’t wait to read its sequel!

Lair of Dreams

From Goodreads:

After a supernatural showdown with a serial killer, Evie O’Neill has outed herself as a Diviner. Now that the world knows of her ability to “read” objects, and therefore, read the past, she has become a media darling, earning the title, “America’s Sweetheart Seer.” But not everyone is so accepting of the Diviners’ abilities…

Meanwhile, mysterious deaths have been turning up in the city, victims of an unknown sleeping sickness. Can the Diviners descend into the dreamworld and catch a killer?

“Waiting On Wednesday” is a weekly event, hosted by book blogger Breaking The Spine, that spotlights upcoming releases that we’re eagerly anticipating.

Have you heard of Lair of Dreams? Is it on your TBR list? What are you waiting on this week?

Jazz Age January – 3

jaj-bannerHello gentle reader,

Jazz Age January is a reading challenge hosted by Leah at Books Speak Volumes. The idea is to read books related to the Roaring Twenties during the month of January. If you want to join in the fun, read about it here.

This week, I’m reviewing THE DIVINERS by Libba Bray.

Diviners-PB2

Title: The Diviners

Author: Libba Bray

Genre: YA Historical Fantasy

Publication: 18th September 2012 by Little, Brown Books for Young Readers

Blurb (from Goodreads):

Evie O’Neill has been exiled from her boring old hometown and shipped off to the bustling streets of New York City—and she is pos-i-tute-ly ecstatic. It’s 1926, and New York is filled with speakeasies, Ziegfeld girls, and rakish pickpockets. The only catch is that she has to live with her uncle Will and his unhealthy obsession with the occult.

Evie worries he’ll discover her darkest secret: a supernatural power that has only brought her trouble so far. But when the police find a murdered girl branded with a cryptic symbol and Will is called to the scene, Evie realizes her gift could help catch a serial killer.

As Evie jumps headlong into a dance with a murderer, other stories unfold in the city that never sleeps. A young man named Memphis is caught between two worlds. A chorus girl named Theta is running from her past. A student named Jericho hides a shocking secret.

And unknown to all, something dark and evil has awakened.

What I thought:

Such. An. Amazing. Read. I loved this book and I couldn’t find anything negative to say about it. The plot is gripping, 1920s New York is wonderfully recreated on the page, the characters are all interesting and the writing is beautiful.

I can only recommend this book to everyone.

What have you been reading this week? Make sure to leave me a comment below!

Waiting On Wednesday – 36

Hello gentle reader,

This week I’m waiting on Dark Metropolis by Jaclyn Dolamore (expected publication: 17th June 2014 by Disney Hyperion). It’s a YA Historical Fantasy set in a 1930s-inspired world. I love the cover and the blurb sounds interesting…

Dark-Metropolis-Jaclyn-Dolamore

From Goodreads:

Cabaret meets Cassandra Clare-a haunting magical thriller set in a riveting 1930s-esque world.

Sixteen-year-old Thea Holder’s mother is cursed with a spell that’s driving her mad, and whenever they touch, Thea is chilled by the magic, too. With no one else to contribute, Thea must make a living for both of them in a sinister city, where danger lurks and greed rules.
Thea spends her nights waitressing at the decadent Telephone Club attending to the glitzy clientele. But when her best friend, Nan, vanishes, Thea is compelled to find her. She meets Freddy, a young, magnetic patron at the club, and he agrees to help her uncover the city’s secrets-even while he hides secrets of his own.

Together, they find a whole new side of the city. Unrest is brewing behind closed doors as whispers of a gruesome magic spread. And if they’re not careful, the heartless masterminds behind the growing disappearances will be after them, too.

Perfect for fans of Cassandra Clare, this is a chilling thriller with a touch of magic where the dead don’t always seem to stay that way.

“Waiting On Wednesday” is a weekly event, hosted by book blogger Breaking The Spine, that spotlights upcoming releases that we’re eagerly anticipating.

Have you heard of Dark Metropolis? Is it on your TBR list? What are you waiting on this week?

Jazz Age January – 2

jaj-banner

Hello gentle reader,

Jazz Age January is a reading challenge hosted by Leah at Books Speak Volumes. The idea is to read books related to the Roaring Twenties during the month of January. If you want to join in the fun, read about it here.

This week, I’m reviewing BORN OF ILLUSION by Teri Brown.

born-of-illusion-teri-brown-new

Title: Born Of Illusion

Author: Teri Brown

Genre: YA Historical Fantasy

Publication: 11th June 2013 by Balzer + Bray

Blurb (from Goodreads):

A gifted illusionist, Anna assists her mother, the renowned medium Marguerite Van Housen, in her stage show and séances, easily navigating the underground world of magicians, mediums, and mentalists in 1920’s New York. As the illegitimate daughter of Harry Houdini—or so Marguerite claims—sleight of hand illusions have never been a challenge for Anna. The real trick is keeping her own gifts secret from her opportunistic mother. Because while Marguerite’s own powers may be a sham, Anna possesses a true ability to sense people’s feelings and foretell the future.

But as Anna’s powers intensify, she begins to experience frightening visions of her mother in peril, which leads her to explore the powers she’s tried so long to hide. And when a mysterious young man named Cole moves into the flat downstairs, introducing Anna to a secret society that studies people with gifts like hers, she is forced to confront her past and rethink everything she’s ever known. Is her mother truly in danger, or are Anna’s visions merely illusion? And could the great Houdini really be her father, or is it just another of Marguerite’s tricks?

From Teri Brown comes a world bursting with magic, with romance, and the temptations of Jazz Age New York—and the story of a girl about to become the mistress of her own destiny.

What I thought:

I didn’t like this book as much as I wanted to. The blurb really grabbed me (the Roaring 20s! Magic! Secrets!) but unfortunately the story itself failed to deliver the promised excitement. The main problem was that everything was told rather than shown: we’re told Anna is a gifted magician, yet we barely get to see her do any magic. We’re told the story takes place in 1920’s New York, yet we don’t get to see much of it (halfway through the book I actually had to check where the story took place, because the setting was so vague I couldn’t remember this piece of information). The last straw was during the final showdown, when the main character faints (!) and therefore we don’t get to see any of the ending firsthand. Definitely not the best 1920s book I’ve read.

What have you been reading this week? Make sure to leave me a comment below!

The Agent Announcement

Hello gentle reader,

Remember how short my Year In Retrospect post was a couple of weeks ago? That’s because things were happening and I couldn’t talk about it yet. Now you get the full story of My Year 2013 aka The Year I Got An Agent.

The short version

I’m thrilled to announce that I’ve signed with Erin Niumata of Folio Literary Management. The manuscript which helped me find an agent is entitled LILY IN THE SHADOWS and you can find out more about it here.

The stats

I know querying writers like statistics, so here goes…

Queries sent: 33

Requests: 19 (including 13 full requests)

R&Rs: 4

Offers: 2

Time between first full request and offer of rep: 6 months

Here I’d like to point out that even if you’re querying successfully (i.e. you’re getting requests, positive feedback and R&Rs), the querying process can take a long time. I’ve read MANY posts by writers who signed with their agents only a couple of months after sending out their first query. It’s not necessarily the norm.  Out of the 13 agents who read my full manuscript, the quickest one took 1 week and the slowest one 4 months. Their average reading time was 10 weeks.

The long version

Before 2013

1998-2009 I write stories

2010 I write a sci-fi novel and ask my former English teachers to read it. Incredibly, they don’t think my idea of getting it published is crazy.

2011 I start 4 novels, and can’t finish any of them. I start reading about this whole publishing business. I read Claire Legrand’s blog and daydream that one day, I’ll have an agent too.

2012 I start a blog. I write a YA Epic Fantasy. I query it, get a couple of requests, and lots of rejections. I find a Critique Partner. I read Susan Dennard’s blog and decide to follow her amazing advice. I open a Twitter account. I join the ROW80 fun. I shelve my YA Epic Fantasy.

2013

January

I have a notebook. On the first page, I’ve written “Flower girl in Victorian London”. After watching Les Miserables at the cinema, one evening at the castle, I decide it’s time to write epic stories again. I sit down and open a Word document, with the title “Lily In The Shadows”.

February

Thanks to the ROW80 sprints (every day at 2pm EST), I write 20k words. I research Victorian London. I outline. Every time an agent mentions somewhere online she is looking for Historical/Victorian/Gaslamp Fantasy, I add her to my “Agents to query” list. I’m determined to do this right, gentle reader.

March

I go to the SCBWI Conference in Paris with my first 10 pages, and a synopsis. I have a One-on-One Critique Session with an Agent, who requests to read my full manuscript.

April – May – June

I finish writing Lily In The Shadows. I revise it based on my CPs/beta readers’ feedback. I enter giveaways and win query critiques, first pages critiques and even a full MS critique. You’d be surprised at how few people enter this kind of giveaways. Yet I cannot stress enough how much it helped me write a stellar submission package – and for free!

July

I send my manuscript to the agent who requested it in Paris. I enter two contests: Christmas In July (organized by the fabulous Michelle Krys and Ruth Lauren Steven) and Like A Virgin (organized by the wonderful Kristina Perez and Rhiann Wynn-Nolet) and to my astonishment, Lily In The Shadows is a finalist in both contests. That same month, I take part in the PitchMas Twitter Pitch Party and I get 3 requests, including one from Erin.

August

Given what happened in July, I decide to throw caution to the wind and to query the 22 agents on my To-Query list all at the same time. I know people say to send only a few queries at a time, and to wait for feedback before sending more, but with the contests’ results I hoped that my query/first pages were good enough. I was READY, lovely reader.

 

September

I get requests. I get rejections. I get R&Rs. I tweet my pitch again during PitMad and get 5 more requests. I have excited DM conversations with my writerly friends on Twitter. I have depressed DM conversations with my writerly friends on Twitter. I believe in myself. I doubt myself. I’m not sure I’m very productive at work.

October – November

Based on the 4 (!) R&Rs I’ve received, I completely rewrite my manuscript. Then it’s off to CPs and beta readers again, before I send it to agents in…

December

Things get crazy. I have agents asking me for additional material (aka my other WIPs). I have agents asking me how many agents are currently reading my MS. I have an agent who refers me to another agent. Then on 16th December, Erin emails to ask if I have time to talk.

2014

The Call happens on Thursday 2d January. Yes, that’s 2 weeks after Erin’s email. I told you things don’t always happen overnight. At that time, 4 agents are still reading my full manuscript, and 2 have a partial. Some nudging later, I have 1 additional full request, 1 more offer of representation and 4 passes. I wait the required week (and give the agent who belatedly requested my full enough time to read it) before saying yes to Erin on 10th January. Erin tweets this on the same day:

Tweet Erin

Best. Subtweet. Ever.

I sign the contract on 13th January.

 Thank you

To my amazing CPs: Jessy Rubinkowski and Allie Schellong

To my Beta Readers: Jani Grey, Bridget Shepherd, Serena Lawless, Kate Michael, Cassandra Marshall, Jenny Perinovic and Marieke Nijkamp.

To my cheerleaders: Lauren Garafalo, Rachel O’Laughlin and Aimee L. Salter.

To the people who helped with my query/synopsis/first page: Veronica Park, The Writer Diaries, Stephanie Diaz and Stacey Lee.

Now that I’m done with the querying process, I’ll be able to blog about topics I avoided before, such as How to deal with a request for exclusivity or with a referral, or What happens during The Call (and what doesn’t), etc.

But in the meantime, feel free to ask me your questions below!

Jazz Age January – 1

jaj-banner

Hello gentle reader,

Jazz Age January is a reading challenge hosted by Leah at Books Speak Volumes. The idea is to read books related to the Roaring Twenties during the month of January.If you want to join in the fun, read about it here.

This week, I’m reviewing DOLLFACE by Renee Rosen.

Dollface

Title: Dollface: A Novel of the Roaring Twenties

Author: Renee Rosen

Genre: Adult Historical Fiction

Publication: 5th November 2013 by NAL Trade

Blurb (from Goodreads):

America in the 1920s was a country alive with the wild fun of jazz, speakeasies, and a new kind of woman—the flapper.

Vera Abramowitz is determined to leave her gritty childhood behind and live a more exciting life, one that her mother never dreamed of. Bobbing her hair and showing her knees, the lipsticked beauty dazzles, doing the Charleston in nightclubs and earning the nickname “Dollface.”

As the ultimate flapper, Vera captures the attention of two high rollers, a handsome nightclub owner and a sexy gambler. On their arms, she gains entrée into a world filled with bootleg bourbon, wailing jazz, and money to burn. She thinks her biggest problem is choosing between them until the truth comes out. Her two lovers are really mobsters from rival gangs during Chicago’s infamous Beer Wars, a battle Al Capone refuses to lose.

The heady life she’s living is an illusion resting on a bedrock of crime and violence unlike anything the country has ever seen before. When the good times come to an end, Vera becomes entangled in everything from bootlegging to murder. And as men from both gangs fall around her, Vera must put together the pieces of her shattered life, as Chicago hurtles toward one of the most infamous days in its history, the St. Valentine’s Day Massacre.

What I thought:

I really enjoyed this book. I picked it up because I read somewhere fans of HBO’s Boardwalk Empire would enjoy it, and I wasn’t disappointed. I found in this book the same atmosphere and the same kind of plot that I love in Boardwalk Empire. What I also thought very interesting was that this story is told from the point of view of the women: wives and mistresses of the mobsters.

All in all, it’s an excellent example of historical fiction set in the 1920s, and I do recommend it if you read Adult books.

What have you been reading this week? Make sure to leave me a comment below!

Writing and How To Create A Vivid Setting

Hello gentle reader,

I haven’t been writing or blogging a lot lately, but I have been reading. And I’ve been disappointed by a couple of books, because of their setting. Or lack thereof.

If you’re a writer trying to get published, you may have received rejections that stated your world building needed work, or your setting wasn’t vivid enough.

Today I’m giving a few pointers to create a well-realised setting, one that will draw your readers in and bring the places you describe to life.

Step 1: Identify your setting’s weaknesses

–          Your book suffers from the “We could be anywhere” syndrome

I read this book that was set in Chicago. Halfway through it, I had to go back to the beginning, because I couldn’t remember if it took place in Chicago or New York City. That’s how vague the setting was. In your own manuscript, ask yourself if your story could take place anywhere else. If the answer is yes, it means that your plot and your story aren’t interwoven enough: there needs to be a reason why this story happens in this specific place (whether it is a small town in rural America or London).

 Welcome_to_Sunnydale_(Buffy_screenshot)

–          Your descriptions are clichéd

I recently read another book, which was set in Paris. To my dismay, the author seemed to think that mentioning the Eiffel Tower here and having a character talk about Montmartre there was enough to set the scene. With your story, ask yourself if you’ve researched your setting enough to avoid describing what everyone already knows about that place.

 Gossip Girl Paris

–          Your descriptions are boring

I read another book, which was set in a US high school. This is a tricky setting, because, well, we’ve all been to school and watched countless films/TV shows about teenagers at school. What you want to avoid here is a bland description: classrooms, bleachers, bathroom… If your story takes place in a very familiar place, ask yourself if you’ve described what makes it special in the eyes of your characters (whether good or bad). Ask yourself if your setting has personality.

Teen_Wolf_Meeting_at_school

Step 2: Create a great setting

–          Avoid setting each scene in “anonymous” places such as hotel rooms, random streets, nameless restaurants, etc. This is especially important if you’ve chosen to set your story in an exciting big city. As a reader, there’s nothing more frustrating than being sold a book “set in Tokyo” and have the characters spend all their time in a non-descript apartment, for example.

–          Do your research. Do A LOT of research. Your book will have two types of readers: the ones who have been to the place you describe, and therefore expect an accurate description, and the ones who haven’t been there, who deserve a description that will give them the chance to explore a place where they might never go. If you’re choosing to set your story in a well-know place, I tend to think that you should visit it yourself, to avoid clichés and to give your descriptions your own flavour. When it’s not possible, read widely about your setting, and make sure you write about what makes it unique and what makes it come alive.

–          Make your setting come alive by using all the senses: help you reader experience the whole of your setting. Help him see it, but also smell it, hear it, touch it and even taste it.

–          Avoid long descriptions: better focus on a few specific and striking details than write a boring one-page paragraph. Give the places’ names, and point out what makes them unforgettable.

deadwood

Reading recommendations:

–          For a great example of a setting and a plot that blend together: THE DIVINERS by Libba Bray

–          For a great example of a book set in Paris that avoids all the clichés: DIE FOR ME by Amy Plum

What about you? Do you have trouble writing vivid settings? Do you have examples of setting done well in literature? Make sure to share your thoughts below!

Jazz Age January

Hello gentle reader and Happy New Year!

I’m starting off 2014 with a challenge: Jazz Age January hosted by Leah at Books Speak Volumes.

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The idea is to read books related to the Roaring Twenties during the month of January. “Readers are welcome to read novels written by Jazz Age authors, non-fiction about the ’20s, and contemporary fiction set during this time period.” If you want to join in the fun, you can sign up here. Each Saturday (from Jan. 11 to Feb. 8), Leah will post a link-up where participants can link to any reviews or posts they have written for this event.

Here is my reading list:

The Diviners by Libba Bray

Dollface by Renee Rosen

Born of Illusion by Teri Brown

The Flappers series by Jillian Larkin

Serena by Ron Rash

Vile Bodies by Evelyn Waugh

Possibly books by Virginia Woolf and Francis Scott Fitzgerald.

I hope you’ll enjoy this series of posts! And if you want to recommend books, feel free to do so below!